nice solid spaced techhouse builder with a more floor orientated dandi e ugo remix !!

three is the magic number! as a matter of fact the third installment in the koop remix series brings you not only some more floor friendly reworks of everyone’s favourite transvestite jazzers but at least two sureshot bangers! on the a side we got the mighty drumlesson remix by christian prommer. the producer of fauna flash and voom:voom fame picks up the bonus beats of the album to transform them into a 7 minute tech jazz meets classic house workout that drags drum rhythm a kicking and screaming onto the dancefloor.the b side once again sees beanfields remix of i see a different you but this time sweet singer yukimi nagano gets left behind on the excursion to detroit. and yes, the much requested instrumental version sounds even better without the vocals! last but not least there is a nice version of lets elope by sirs also known as gucciman or daniel klein, co founder of flamingo discos. he pushes the right buttons to build a grooving deep house tune around the warm vocals of mikael sundin. so, lets elope today with koop

for the fifth release we can finally announce the expected solo release of miguel mendoza. the artist from madrid comes again with his dark, hypnotic and, of course, analogue sound to fill the dance floor with mystery and emotion

for living003, dub kult has decided to pull together some of his own best productions to make the killer four-track >one world ep<. this ep has, arguably, more of a dance floor focus than previous eps on living, but maintains enaough trippiness for all but the most dedicated noodle heads..

pinknoize are a fresh production duo from west london with this release seeing them lay down some dancefloor friendly grooves which get locked into a soulful cycle of talking synths and playful percussion. like morgan geist topped up with a big dose of glitch juice and a bit of skandi- disco flavour thrown in, radical specs will suit funk lovers with its drunken grooves and space-laden atmospheres. high grade big-wig tom clark leaves all the big noises at home and turns up with an introspective almost sarcastically playful minimal work-out on his rmx while hot talent lee mortimer turns in an altogether more cranking and snarling electro tinged house mix, stretching the squelches and bleeps of the original over a dance floor friendly banger.

g t m k is gregor tresher (datapunk /cocoon / great stuff) monika kruse ( terminal m /electric avenue) this melodic, minimal, hypnotic release with a good build up will prove itself on the dance floor is limited to 500 only (physical copies) no hype, no label its just about the musik

monomachine behind the name monomachine lie two well known musicians of the spanish and chilean electronic scene respectively: iñigo oruezábal and francisco allendes. this adventure in minimal code, sometimes more techno and others more house oriented, gathers all the background and joint professional experience of both artists, as a result of years of individual experience in the best dj booths and studios in spain and south america. its a sound that relates directly with the vanguard sounds in the current electronic dance music has its main target in the dance floor, not leaving aside a high quality production which results in an intense and clear sound. here are their latest tracks, released on catwash records.bomb jack on the a side is a tweaky, techy, track with jungle drum and percussion, and a soothing constant bass line that makes this track a great connector in any set. ghost and goblins on the b side starts out with some rhythmic minimal bongo drum sounds before a deep echoey bassline enters and kicks the track into its real journey. the contrasting synth sounds add flavour that turns this into a good boppy track that will get the peeps grooving on the dancefloor!

back to roots a superlative cover version by the san francisco based franky boissy featuring the vocal of the godfather of house music michael watford!besides of the original mix, dj spen delivers for purple music two great remixes & absolutely rockin on the dance floor and on air

2 techy edged electrohouse mixes

elek-tech-house tunes 4 the dance floor

classic i-f remixes of viewlexx classic !!

ehrlicher detroit techno der nach studio-schweiss riecht & mit>credit crad< & >dark matter< zwei handfeste & floor-tools an den start bringt

electro tinged number featuring the brilliant vocal of el feco of solomonic sound and floor friendly barrage of bells and whistles. remixes include a big room epic mix from tech house maestro jamie anderson, a stripped out deep early morning moody minimal take from hipp e and a synthy deep techno flavored mix from idiotbox. stay tuned for part 2

here it is! the new hit track sexy lady by dj jean. this track is another essential for your collection. sexy lady is produced in the typical sound of dj jean. again a classic one with uplifting beats and a female vocal singer. dj jean rocks the floor with thisclub mix! the additional track is different and aimed at music lovers who like house. fans of dj jean wont be disappointed!

support by alexi delano, gregor tresher, monika kruse, tony rohr, holgi star, tim xavier, afrilounge, and many more.. shokh is back again. like mr. jekyll-and-hyde he presents us two floor bombs on the brand new imprint rompecabeza music. on one side the playful “snuka”, which you can brand as pure techno funk, on the other side “mr. piper”, which packs an enormous saw tooth and where mr. shokh decides to take you on a loopy journey. the berlin based booking agency rompecabeza will surely supply more big tunes on its new in-house label in the near future. rompecabeza = rambazamba

twisted bleepy electrohouse business here something dirty for perfect floor working

jay west and christian mallloni have joined together to create a hybrid filter funk sound all of their own. the original reaks havoc on the dance floor creating serious synth sweeps and bass drops to keep this track versatile and improvisational throughout. the vocal sample quirky as it is rings in your head while the percussive rhythm and killer bassline dri this piece home. nightshift boss man hipp e steps up for the b side with a new style and brings down the house. extended peak time mix here with big synth rides, crispy rhythm and big kick. wicked breakdown riddled with bits from the original and ever expanding sonic modulation takes this cut to the limit

"montreals prolific producer miguel graça teams up with roy davis jr. and mile ends very own patrick dream, for the realdeal; an old school dirty booty shaker. featuring a hypnotic heavy vocoded call out to the dance floor by roy davis jr.,along with miguel and pat snappy beats and a jacking trumpet line that takes the track over the edge. this package includes mixes that veer toward the tracky chicago side of things, the booty detroit side and a miguel graça remix that takes an eclectic electronic approach"

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

dj support: karotte, josh wink, john selway, jeff samuel, chloe, laurent garnier, sebastien leger, sian (pokerflat), simon baker (infant).... just as klaus kinski once saw the jungle, minilogue see their sound as a multifaceted and highly fecund place whose nevertheless existing and complex matrix does not show itself in any apparent order. two new tracks on wir make their way through tight, slippy and steeply ascending paths, working to see the daylight in the befogged territory of the peruvian rain forest, or they ride on rapid amazonian rivers looking for el dorado, while unknown dangers lurk behind. bushwacking beats slap through the thicket, wandering on the trails of ancient cultures, not fearing any frazzle. minilogues trademark sound already overgrows the dance-floor, wriggles over sweaty walls, into the corners and beneath the turntables, and theres quite a chance to lose oneself in that labyrinth when not paying attention to where the exit once was

jean-patrice remillard aka pheek hatches a new album making it his sixth, appearing on his own imprint archipel musique. pheek reinterpreted his concept of electronic music by utilizing flavourful blends of techno embedded with funky undertones, minimal, idm, and tech house. specially blended rhythms enriched with bottomless emotion, entices the senses to explore the unknown, but in a playful manner. while his last albums gave him a name for ambient and delicate music, >en légère suspension< will take everyone by surprise demonstrating subtle techniques of dance floor music

shlomi aber has delivered his debut release on ovum. coming off his successful releases on cocoon and renaissance. shlomi is one of the hottest producers of the moment and he has delivered a twelve inch that is totally ovum. the original mix is is an absolute roller. shlomi knows how to deliver the groove. he manipulates the percussion to creat a very cool rhythm that builds to a prime time climax that drops back into that infectious groove. on the b side gel abril brings in the 303 to give the track a twisted approach. the acid mix is an absolute stormer ready to devistate any main room set! gel abril tweaks the acid line into perculating climax that drops back in to devistate any dance floor. this record is big!!

dont worry, christophe dalla-ca aka kiko is not interested in a seventies disco revival, even if the tongue in cheek reference to john travolta in the title track of this ep might imply that. on the other hand, the work released by the man from grenoble for such renowned labels as ozone, hot banana, goodlife and turbo has consistently shown that kikos interpretation of techno from the 2000s also includes a conscious reworking of past dance floor orientated electronic music. in this sense, kiko has succeeded in making three stand alone, coherent interpretations of a mutual meltdown of new wave, disco and elektro, with the tracks on the >tragolta ep<. whether he is impressing with the best possible mix of ebm and dave clarkes red series (30.1) or enchanting us with the continuously jewel like, dazzling melancholic melodies of >electric burst< or >tragolta<– the fact remains true that he perfectly supplements this approach to the sound cosmos of datapunk

big tune !! once more, adam proll is impressing the audience with his latest release. especially >adamantido< persuades with its reflection of current moods and reminds of productions by martin landsky, booka shade or cocoon recordings producer guy gerber. a great emotional tech house tune with enough space for big feelings and open air mood. coming to >elevator<, adam proll is himself again and serves a buzzing and shuffled minimal techno track that rocks like hell. the track lives up to its name and definitely takes us one level higher on the dance floor. a nice forecast for the upcoming summer and a guaranteed floorfiller

recognise is a ruthless peaktime roller, wrapped up in a jackin house vibe and armed with a bassline that just wont let you stand still for a second. baobinga & i.d.s latest production has already been shaking the floor during their monthly residency at fuse, manchester with early support also coming from the likes of krafty kuts, skool of thought & 30hz. vandal is arguably the production worlds finest exponent of electro tinged breakbeat, producing hits like mad as hell on meat katies lot49 imprint which received 25 plays on bbc radio 1 or delivering the goods which went on to become one of plastic rayguns most successful releases. since his first release he has built up a reputation for constantly pushing the breaks sound, his remix of recognise provides a text book example, delivering a throbbing breakbeat madness that already has the backing of hyper

csm is excited to present >dream stealer<, the ambitious new release by john selway and vincenzo ragone. >dream stealer< is techno at its most modern. its deep, involving, and expanding with a steady undercurrent of persuasive energy. joel mull taking a more concise route to the dance floor with his great remix work

007 sees the launch of the more about music label, releasing the hottest new music across a variety of styles, from house to hip hop via broken beat and other underground sounds. sheffield based small arms fiya are producers scott monkz moncrieff and tom toddla bell. their style is a fusion of hip hop, soul, dancehall, broken beat, uk garage and detroit techno influences, which creates an innovative and original sound. pressure drops in with beats reminiscent of james yancey dilla, with ayahs soulful delivery adding the finishing touch to a track that will keep ya warm till summertime. on the flip you ll find gotta decide, where ayah glides through an electronic p funk bomb, destined to detonate any dance floor. whilst broken beat maestro domu adds a slice of 1980s disco boogie dust for full effect

der nächste dicke electrohouse puncher aus frankreich !! der rockt den floor!!

tyree cooper, the house music legend teaming up with rising dutch stars born to funk well, roog and greg hooked it up, and the results are explosive the born to funk boys have revamped an old skool hip hop classic and skilfully turned it into a dance floor monster, entitled sodb

supported by dj naughty & serge (clone rec)!! marimba is pure spaced out disco , flipside pagans comes with more detroit techno vibes straight fro the floor

minimal little bit electrofied techhouse mover for the floor

killer release !!! minz is simply introducing himself by a few words… influenced by techno, house, acid & dub, minz creates deep electronic dance music with attention to detail. on the a-side, minz gifted us with the unbelievable chinese drip. a pure mix of modern minimal music and the too long left asleep « deep » side of things. this track is indeed a delightful journey trough the minz world. groovy, sexy, deep and incredibly dance appealing. oceanic oscillations starting from below the sea level and reaching the sky to dive again! clap your hands, shake your booty ! get the crowd on their knees with the tool of 2007 ! the b-side host an even deeper cut, >we are the new me< sports a basic channel inspired groovy beat, sparkling spacey sound designs and that ultra deep bassline that just get you on the floor. minz is clever enough not to follow its predecessors and develop again a very personal groovy and delightful track. finally, >none.of the mill< is a wonderful piece of the minz ambient world enlightening us with a different point of view, a different perspectiv..

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

kevin rocks the floor with pumping bassheavy techhouse

nice building techno track (one sided) on this obscure release.. no additional info on the label or artists but its strictly limited to 300 copies. a different version of this 9 minute anthem will have an official release on another label soon. cool record that will kill it on the dance floor and even tho that logo rip-off is very much 90 style its still kind of funny

its not minimal techno, its not electrohouse, its not progressive, its italian freshness…if you surf the cool electronic club sound and follow djs like steve lawler, seb fontaine, hernan cattaneo, satoshi tomiie, john digweed, you definitely know what are we talking about alex dolby & maskio is one of the hottest duos in the electronic club scene right now. here they combine the best out of their recent underground hits monday and airball and you get tokyo zoo and u make me sick, two timeless floor burner

franck roger keeps this one deep, but it will work in the peak time! real tone records presents franck roger >rubycube< and >stolen moments<. deep house heads beware, this packed with energy and will fill the floor!

two armadillos are giles smith and martin dawson. their sound can loosely be described as deep house with more techno influences, whether that be detroit or modern minimal sounds. their tracks have warmth, depth and groove, yet have enough energy for the floor. “tunnel of light ep” on dessous is their first release working together. with more material ready expect to hear more about two armadillos very soon. tip

brill balearic styled discohouse monstertune , will rocks the floor this summer for sure !! incl jewrry ropero & stonebridge remixes

für alle, die den floor mal anders rocken wollen, ist >when i was young< pflichtprogramm. zwischen haupstadt-disko & western-rave

lässiger hypnotischer detroit string techno der garantiert für ein freudiges lächeln und gute stimmung auf dem floor sorgt. nicht nur was für jaguar fans. diese schweden sind einfach klasse !! na dann bon voyage auf der party

support by deep dish, gabriel & dresden, hernan cattaneo on info side, the most higher climb artists on dj mag poll 06, reaching nº23, the flash brothers with a monster release which is already being strongly played by deep dish, gabriel & dresden, etc. great rockin groove filled with some woodstock vibe vocal ambiences blistering it up to pure dance floor extase. on the logo side, the amazing uk duo montero, they have been releasing on renaissance for a while, and here they bring us a fat tech electro house affair pushing the original to a total different level

incl. amazing audiofly mix !!! played by oxia, stephan bodzin, mike monday the italian super producer remo strikes back with another sure shot of dark and electro soaked house monsters – most of you will remember him from his collaboration with chelonis r. jones on giant wheel. big ball bass-lines are fighting against each other while a stomping beat and sci-fi synth sounds hold it tight. on the flipside no one else but uk upstarts and prolific producers audiofly (get physical, tsuba, connaisseur, …) deliver a super hypnotic and driving remix. smooth arpeggios and a slowly building melody make this a floor shaking bomb! not to be missed.

martin and his singer jay sebag are back with >rejection<, the last single taken from the >hedonist< album. already a smashing hit in france, >rejection< will be released as a 2 vinyls set on mixture : the mainfloor duties will be covered by the mxt23 (the club mixes), with the original club edit and devastating remixes by bob sinclar, ian carey and ericke, to rock any dance floor !

best l&kp since a long time! real strong peaktime electro dance floor samsh! incl andrea doria and fuchs und horn mixes!

teenage bad girl is french duo guillaume manbell & greg kazubski. some say they are a genetic mix of daft punk, aphex twin & the stooges, anyhow they are part of the new french electro nouvelle vague , together with digitalism, kitsuné, justice, para one , modeselektor & a few others, they can blow any dancefloor... if you see them in a club near you, be there ! so far they ve only released one 12inch called hands of a stranger , but it s quickly becoming one of the hottest songs on the dance floor. and they just done a remix for the scissors sisters... teenage bad girl presents here few tracks from their first album cocotte this beautiful picture disc includes 6 dirt-electro tracks & also some remixes from boys noize, yuksek

nice price deal !!! hot electronix by marco bernardi and a super sweet remix by kettel! minimalistic electronix with a touch of cut-up 4 to the floor techno and wierd vocals. kettel delivers another great remix with stunning melodies and soft rolling beats. very nice and gentle! huge reactions from afx twin , sven väth, r.hawtin, michael mayer !!!

d1 recordings mark their 35th release with eamonn doyle s >red shift< ep. following on from his recent >ghost of the machine< release on sweden s hertz recordings, here he lays down two more slices of extremely deep bass driven techno aimed at the more discerning dance-floor. the 12-minute title track >red shift< is built around a deep rolling sub bassline with layered orchestral strings used subtly throughout. the flip sides >winter sun< arrives with more shimmering strings, this time underpinned with a crisp 909 backbone and lifted with some rich and soulful lead string lines. this release is part of the d1 limited editions series. vinyl runs are strictly limited to 300 copies, after which the ep will only be available digitally. the red shift ep has already caught the ear of many of the world s leading producers with dj support coming from detroit legends dj bone, claude young, octave one and also mark broom, laurent garnier, rennie foster and kan shinomura

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno